Hakuda Ryu Kempo Jutsu Essex

The emergence of the Village Te's

There are many different forms that can be said to be called Okinawan Te or Ti. Te or Ti as a grappling art has its origin in the Okinawan grappling arts of Tegumi and Mutou, the first term describes the grappling styles that were were popular around the district of Naha, whilst the second term describes the type of grappling that was popular around the districts of Shuri and Tomari. Each one of these three districts is said to have been the source of the village Te's which were combined with local Chinese influence to form Ryukyu Kempo Jutsu which then became Toudi, To Te or Tang Te (China Hand) and later Karate (Empty hand). The Karate styles that have emerged in the Shuri and Tomari district have become known as Shorin Ryu whilst those that emerged around the Naha district became Shorei Ryu. However even the classification of Shorei and Shorin Ryu which has often been used to designate Kata to particular schools is also inadequate in some respects.

Naha Te: Shorei Ryu and Tegumi

In the district of Naha there emerged the Shorei Ryu style of karate, this is said to have been in the 19th Century with the teachings of Kanryo Higaonna who according to Nagamine was 'deeply concerned with awakening the fighting traditions practised in and around the old district of Naha' (2000:64-65). It was in this district in the village of Kuma in 1392 the Chinese Monk and artisans first arived and are believed to have first introduced Kempo to Okinawa. The arrival of the Chinese in 1392 led to the eventual establishment of an Okinawan community in Fuzhou, in the Fukien district of China, where Higaonna studied from 1875 for 12 to 15 years.

It should be noted that there is a substantial amount of grappling techniques in Shorei Ryu's succesor Goju Ryu, these grappling techniques may to some extent have been part of Naha Te, if Naha Te can be considered as having a grappling aspect, it is certain that in the district a form of wrestling called Tegumi which was practised as a form of competitive sport is a form of wrestling. The native form of Okinawan Wrestling form known as Tegumi eventually became Okinawan Sumo.

White Crane Shorei Ryu and Chin Na

The Chinese Martial arts known as Kempo in Okinawa from which the strikes and kicks of Karate are said to have originated also had its own grappling art known as Chin Na. Chin Na is seen in many Chinese Martial arts especially Fukien White Crane Gong Fu which is believed to have influenced both the Okinawan Shorin Ryu style which are based on External Shaolin fighting techniques and the Shorei Ryu styles of Okinawan Karate that are believed to be based on the internal Chinese Martial Arts. White Crane Chaun Fa has both internal and external aspects to its training curriculum, but the content of these varies depending upon local variations of the Crane style. The internal martial arts include Pau Kua and Hsing I and Tai Chi Chaun which is the most well known of the Internal Martial Arts. Most styles of Tai Chi Chaun also have their own grappling system known more commonly as Chin Na.

Tomari Te

Tomari Te is the empty hand fighting arts that emerged and were practised around the village of Tomari, today Tomari Te has been absorbed into Shuri Te to create the various Shorin Ryu styles. One of the famous families that was associated with Tomari Te was the Oyadomari family. This line was believed to have been passed dow from a Chinese called Anan, who was either a sailor or pirate. It is alleged that it may have in fact been Anan that had taught the Kata Chinto to Sokon Matsumura. Kokan Oyadomari (1827-1905) is believed to have been one of Anan's disciples. However Kanken Oyadomari was also the disciple of two other Okinawan Masters these being: Kishin Teruya (1804-1864) who taught him Passai, Rohai and Wanshu, and Giko Uku (1800-1850) who taught him Naihanchi. Kanken Toyama (1888 - 1966) was a member of the Oyadomari family and studied under Matsumura's disciple Itarashiki Peichin, he then later then trained with Ankoh Itosu and Kanryo Higaonna and it is also said that he trained with Matsumora Kosaku. In 1924 Kanken Toyama went to Taiwan and studied the Chinese fighting arts there and then moved to Tokyo to establish the Shudokan. Kanken Toyama in 1940 awarded a Shihan grade to Seitoku Higa following a joint demonstration in mainland Japan (Bishop 1999).

There are two main lines of Tomari Te and these are from the Oyadomari family and Kosaku Matsumora (1829-1898) characteristics of the style are rising standing fist punch which is aligned to the centre line of an opponent and an adaptation there of using the fore knuckles, this was normally following a rising block that was used to open the opponent up so that the foreknuckle fist would strike the vulnerable points on the opponents chest (Bishop 1999). Another characteristic of Tomari Te is the use of a stance called Shiko Dachi, specifically in the Kata Naihanchi, where as in the Shorin Ryu styles the higher stance of Kiba Dachi is used. In the Takemura No Passai Kata known as Ryufa that is practised at the Bugeikan and in Seiichi Akamine's (1920-1995) Ken Shin Kan the use of Shiko Dachi is found throughout the kata, where as in the Gensei Ryu version of Shukimune No Passai, the Tomari Te influence can still be seen, as it can in the Bugeikans Takemura Naihanchi and Takemura Kusanku Kata both of which also maintain many Tomari Te characteristics. The Kusanku Kata in the Tomari lineage, which includes the Kyan version, is more acrobatic than that seen in some other Shorin Ryu systems.       

Shuri and Tomari Te: Shorin Ryu and Mutou

Shuri Te (and Tomari Te) when combined with Chinese Kempo became known as Shorin Ryu Karate which resulted in the Okinawan Karate styles of that name, Shorin simply means small forest and is generally used to refer to the Fukien Shaolin Temple. The form of grappling which is associated with the styles that surfaced around the areas of Shuri and Tomari was known as Mutou and this was later combined with the Chinese styles to create Shorin Ryu, where as in  Naha  Tegumi became part of the Shorei Ryu styles. The Mutou of Shuri is often been regarded as the most appropriate form of grappling for dealing with an armed adversary when one is unarmed (Arakaki 2000).

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